TOO MUCH PUSSY ! Feminists Sluts in The Queer X Show, le nouveau film d'Emilie Jouvet !

" Too Much Pussy ! Feminist Sluts in The Queer X Show " est  un road-movie jouissif et truculent sur la post-pornographie et le mouvement féministe sex-positif.

C'est un documentaire explicite sur les folles aventures de 7 jeunes artistes performeuses , réunies le temps d'une tournée épique , qui ont traversé l'Europe en van pendant l'été 2009, foulé les scènes cosmopolites des boîtes de nuits branchées parisiennes , en passant par les squats queers underground berlinois et les théâtres prestigieux  de Paris, Berlin, Stockholm, Copenhague...

Jeunes femmes militantes, artistes, écrivaines, musiciennes, sex workers, pornostars.
Heterosexuelles, Lesbiennes, Bisexuelles.Queers.
Elles viennent d'Europe et d'Amérique.
Leurs (dés)orientations sexuelles et expressions de genre sont diverses et multiples.
Nées de la révolution féministe pro-sexe initiée dans les années 80 par Annie Sprinkle,  Candida Royalle, Carol Queen, ces jeunes femmes assument  leur goût pour la sexualité, jouent librement avec les genres et réinventent sur scène de nouvelles représentations du désir et de la jouissance.

Le film documente leur tournée, les expériences marquantes que les 7 filles ont traversé, les croisements dans leur spectacle et dans leurs vies entre la pornographie et l'art, la performance et la réalité, le privé et le politique.

La camera d'Emilie a tout filmé, des connections intimes qui se sont développées entre les filles aux inévitables tensions dues à l'épuisement de la route, des rencontres amicales et sexuelles avec les habitant-e-s des villes traversées aux réflexions politiques et artistiques développées par les performeuses.

Emilie Jouvet, Wendy Delorme, Judy Minx, Madison Young, Sadie Lune, Mad Kate and DJ Metzgerei vous offrent une parenthèse de liberté,  un manifeste féministe sex-positif.
 

" TOO MUCH PUSSY ! Feminist Sluts in The Queer X Show "

is a sex-positive road-movie by Emilie Jouvet.
It is an explicit documentary about the wild adventures of 7 women on a performance art tour,
who travelled in a van around Europe during the summer of 2009,
treaded the stages of nightclubs and theaters in Paris, Berlin, Stockholm...

They are activists, artists, writers, musicians, sex-workers, porn stars.
They are from Europe and from America.
They are of various sexual (dis)orientations and gender expressions.

The film documents the tour, the life-changing experiences that the 7 girls go through,
the intersections in their shows and in their lives between pornography and art,
performance and reality, personal and political.

Emilie's camera filmed it all, from the intimate connections building between the girls,
to the unavoidable tensions and exhaustion of being on the road,
from the sexual encounters with the locals,
to the political and artistic reflexions the performers engaged in.

Emilie Jouvet, Wendy Delorme, Judy Minx, Madison Young, Sadie Lune, Mad Kate and DJ Metzgerei bring to you a sex-positive feminist manifesto.

SEE THE TRAILER HERE !

Itw En attendant Minuit

USA love it

This movie is incredibly hot! Everything in it contributes to its raw, edgy eroticism: the music, the lighting and camera work, the chemistry between the actors, and the activities they engage in. The eroticism begins immediately, yet builds in intensity slowly, creating a mood and seducing the viewer. There are five separate scenes of women having passionate, raw, and very, very aroused sex.

Each scene is an incredibly hot one-night-stand--few words are spoken, no names are exchanged; the eroticism is intense and spontaneous. The actors make putting on gloves and lubing up look like the hottest foreplay around. The actors act like the camera is not even there. They make what they're doing look really good for the viewers, all the while remaining completely unselfconscious, completely wrapped up in their arousal and their partner's body.

The actors are very hip-looking, and many sport tattoos and body piercings. They cover a broad swath of gender presentations: butch, femme, androgynous...and there's even an adorable trans-guy. They wear a variety of clothing from baggy jeans, button-up shirts and tie, chest harnesses, skirts and garter belts, and they take some of it off while leaving other bits on (or just taking it off little by little, as needed). This contributes to the rushed, so-hot-for-you-I-can't-even-bother-getting-totally-undressed feel of each scene.

Expect to see everything from heavy petting, breast play, and oral sex to strap-on sex, spanking, and toy play. One scene includes anal penetration of a woman wearing a tampon. The presence of a tampon string may distract some, or turn off others, but it does contribute to the movie's "real" feel: these are the ways these women want to have sex, and this is what their bodies are like, no apologies.

Visually, it's gritty and raw. The camera creates an atmospheric quality by shifting in and out of focus, moving around, sometimes smoothly, sometimes a bit jagged, to different body parts, shifting between full-body shots, genital shots, and shots of different body parts. Each scene features a different song, most of which you could expect to hear in a club. It's not background music: it's loud and sets the mood for each scene. This may be distracting to some viewers, especially those who don't like the music. But it's a significant component of the film and contributes to the feel and intensity. While the music is playing, there are no sex noises, but once the song is over, we get to hear the women moaning and sighing. There are hardly any words spoken (there don't need to be!).

Overall, I highly recommend this for anyone looking for very real, raw, intense, seductive, gritty, fleshy, creative, inspired lesbian porn!

One reviewer compared The Crash Pad with One Night Stand (Pour Une Nuit):

"I think the overall quality of One Night Stand is higher than the Crash Pad--there is more attention paid to the aesthetic qualities, for one thing. The whole film is very cohesive: the camera work, lighting, sound, etc. work hand-in-hand with the sex itself to make a truly arousing and beautiful movie. The chemistry between partners is high, which makes it feel very real.

One thing that Crash Pad has going for it, though, is that it doesn't have the artsy camera work and the loud music, things that work well in One Night Stand but are not always what you want. In Crash Pad, you get a straight, long camera shot of the women's entire bodies, interspersed with some long genital close-ups. The camera work in One Night Stand is frenetic at times, and while you get an overall *feel* for what's going on, you don't get to look at any one body part or position for a very long time. In Crash Pad, you can kinda feast your eyes on the scene before you for a while. Plus Crash Pad just has sex noises instead of mood music. I also think the actors in Crash Pad are more aware of the camera and play to it, whereas the actors in One Night Stand seem like they could care less that the camera is there (both of which have different benefits)."

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